About
Never tired of making things. Only tired of meetings about making things.
Most mornings start in the water off Ericeira. Paddling out since the age of eleven — not for the exercise, for the reading. The ocean teaches timing, commitment, and when to let go. The rest of the day follows the same discipline through different material: guitar since twelve, keys since six, a Fujifilm at 50mm in the bag, and code on the screen.
Eight companies across six countries happened along the way. Five countries lived in. A PhD in AI because the machines fascinated me long before they were fashionable. Co-created a unicorn. Ran four intrapreneurship seasons inside a major bank, proving that heavy institutions move fast when you ignore enough of their rules. One of Estonia's early e-residents. None of it was a plan. All of it was compulsion.
I chase primary sources — AI lab research papers, surf history archives, gear schematics, producer interviews from the analogue era, photographer monographs. The gap between a primary source and a summary is the same gap between understanding and opinion. No influencer junk. No secondhand takes. The work itself is the fuel.
Four obsessions
Observe. Practice. Refine. Ship.
Ocean Waves Power
The ocean doesn't negotiate. It breaks where physics says it breaks. My job — since the age of eleven — is to be in the right place with the right board and enough fitness to respond. Board geometry fascinates me: rocker, concave, rail profile, the physics of how a shape meets a wave. Surf culture from its counterculture roots through the commercial capture to the indie reclaim. Ocean protection not as activism branding but as the daily reality of someone who depends on clean water. The lineup teaches what no meeting ever will — read the conditions, respect the locals, commit fully or don't paddle out.
Sound of Emotions
Playing an instrument teaches feedback, control, and expression that no screen replicates. Keys since six, guitar since twelve, 7+ years in studios with a close friend producing — the sound lives in 70s-to-90s rock. Pink Floyd, Led Zeppelin, AC/DC, Gary Moore. Gilmour's patience, not a shredder's speed. I assemble superstrats by hand, hunt vintage-correct parts across continents, chase tone through amp circuits the way other people scroll feeds. I carry the 90s electronic pulse too — house music from the era when parties meant something and the BPM was a heartbeat, not a playlist algorithm. The riff does the talking. The feedback loop is literal.
Captured Beauty
Stripping colour forces you to see what's actually there. Light, form, composition — nothing hides behind saturation. I shoot one focal length, no zoom, because the constraint teaches. You move with your feet, not your lens barrel. Lindbergh shot the first unretouched Vogue cover in 1988 and the industry still hasn't caught up. Ritts sculpted light into landscape. Von Unwerth brought playful rebellion without losing craft. Ocean photography is my daily practice in timing and patience — the same patience as waiting for a set, the same ear as finding the right tone. The camera is another instrument. The photograph is an observation, not a construction.
Current projects
What I ship.
Bluewaves
Where I lead the technical architecture and coaching methodology. The maker ethos applied to business building.
Gizmo Rebel Intelligence
Native Swift agent harness. Frontier and local models on Apple silicon. The cockpit for autonomous local AI.
Athena
Knowledge management built for human-AI collaboration. Your notes don't just store — they think.
Mentors
Makers, not commentators.
Steve Jobs
Product obsession and 'real artists ship.'
David Gilmour
Emotional precision and letting the work breathe.
Leonardo da Vinci
Polymath conviction that observation comes before theory and the prototype is the argument.
Peter Lindbergh
The courage to show people as they are. Beauty through truth, not through correction.
Newsletter
Dawn Patrol
Whatever shipped, whatever cracked open, whatever the ocean or the signal chain taught me that month. One email, last Friday. Primary sources. No influencer junk.